A Simple Story Of Two "Big-City" Artists Building Their First Adobe Home. llustrated.

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The author finished the drawings in this book in 1937 when the images were fresh in her mind. Together with the story, they give an insight into what many artists were doing in the twenties and thirties, not only as an aftermath of the depression in the United States but as a lifestyle—a way of living creatively and artistically in an atmosphere more conducive than city life. While Myrtle and Wilfred Stedman’s art thrived in the city (Houston, Texas) during the seven years before the depression, their reputations as artists grew to the point that they felt they could go anywhere and do anything. Myrtle describes the adventure of moving to northern New Mexico where their skills and their joy in art and architecture rose to unexpected heights in spite of hard times in the economy and in their private life.

Myrtle Stedman was a member of PEN New Mexico, a branch of PEN Center USA West of International PEN and believed that there is no end to what the mind can do with the eye and hand, in time and in spirit. She is also the author of Adobe Architecture, Adobe Remodeling and Fireplaces, House Not Made with Hands, Of One Mind, Of Things to Come, Ongoing Life, Rural Architecture, The Ups and Downs of Living Alone in Later Life, and The Way Things Are or Could Be, all from Sunstone Press.

Website: http://books.google.com/books?id=e8CCAAAACAAJ&dq=0865341885&hl=en&sa=X&ei=cOzDT8f7HaieiQLxspzrBw&ved

Softcover:
5 1/2 X 8 1/2
ISBN: 978-0-86534-188-3
64 pp.,$14.95

eBook:
ISBN: 978-1-61139-891-5
64 pp.,$4.99

Nancy Hopkins Reily writes of viewing a painting at Georgia O’Keeffe’s Abiquiu, New Mexico home on Christmas Eve, 1953. As a nineteen year old woman, Reily wondered what the painting was—an unfinished painting or a blue egg. But she realized that something important was going on in the house.

One viewing of anything can spark steps for a journey lasting a day, weeks or years. Reily takes you on her long, long journey of discovery of the painting she called “The Blue Egg.” The journey took her to the Georgia O’Keeffe Museum where she met a landowner where Georgia had walked its awe inspiring landscape in Canyon, Texas; the Yale University Beinecke Rare Book and Manuscript Library in New Haven, Connecticut; an interview with Georgia’s retired cook, Jerrie Newsom, in Jerrie’s mobile home; a visit to the Monastery of Christ in the Desert; introducing her two children to search at the Museum of Fine Arts, Houston; research that ended in the Georgia O’Keeffe Museum gift shop with on the shelves her two books on Georgia; being asked to donate her research to the New Mexico Museum of Art, Fray Angélico Chávez History Library; and the final steps of packing sixteen boxes of research to be shipped to the Fray Angélico Chávez History Library.

Through the years, Nancy’s interest in words has led to researching sixty-four lines of family genealogy before Ancentry.com, keeping a daily journal since 1976, and simply organizing research into books on many subjects. If asked, “How long did it take to write The Blue Egg,” she replies, “My age at the time.”

Nancy Hopkins Reily was born in Dallas, Texas about mid-way between the Great Depression of 1929 and 1941 when the United States entered World War II. She was named after a McCall’s magazine story with the heroine named Nancy, a name her mother liked. With two brothers she didn’t play dolls, but played baseball and football in the neighborhood, caught fireflies at night and climbed the low branch tree in their yard. Since childhood, Reily has divided her time between Texas, Colorado and New Mexico. Her college education began at Gulf Park College, Gulfport, Mississippi and ended with a B.B.A. degree from Southern Methodist University. After college she joined the ranks of marriage, homemaker and motherhood. This led to a career of volunteering for many organizations. She is the author of Classic Outdoor Color Portraits, A Guide for Photographers; Georgia O’Keeffe, A Private Friendship, Part I, Walking the Sun Prairie Land; Georgia O’Keeffe, A Private Friendship, Part II, Walking the Abiquiu and Ghost Ranch Land; Joseph Imhof, Artist of the Pueblos with Lucille Enix, My Wisdom That No One Wants, and Half-Past Winter, all from Sunstone Press, and I Am At An Age, Best of East Texas Publishers. Reily makes her home in Lufkin, Texas.

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Softcover:
6 x 9
ISBN: 978-1-63293-202-0
52 pp.,$16.95

eBook:
ISBN: 978-1-61139-528-0
52 pp.,$4.99

Bruce Lakofka was a multi-talented artist with the eye and hands of an “Old Master” who could and did paint everything he saw in his twentieth and twenty-first century world. His work was mainly representational but he could paint in any style. He was my friend for nearly fifty years. This book is his legacy. Bruce was a little known “undiscovered” artist, known only to a few experts here and there and his appreciative customers. People seeing a Bruce painting on a gallery wall showed the same reaction I’ve seen on the faces of people walking up to the rim of the Grand Canyon for the first time. Bruce is primarily remembered for his Native American themed oil paintings done in the 1990s such as “Spirit of the Full Moon” or “The Last Reservation” which were done in his commercial period. But for many years in his early career, he sold hundreds of large paintings direct to the public at the famous La Cienega Art Mart in Hollywood. There were mostly “happy” paintings of smiling young women, kittens, the Beatles, flower children, and pastorals. Some were more serious such as Vietnam War protestors and our soldiers in Vietnam as well as Biafram refugees. This book is for art students, scholars, and anyone interested in beautiful paintings. Bruce was a person who followed his star and served his artistic muse despite life’s bumps along the way. He was a modest and religious person who believed his gifts were God-given.

Joseph A. Bonelli holds a Bachelors degree in Comparative World Literature from the University of Southern California and a Masters degree in Social Service Administration from the University of Chicago. He has worked in policy analysis evaluation and regulatory writing in Washington, DC and for the State of California. He has been a child protective services supervisor, substitute teacher, and medical social worker. He is also the author of Congo Ape Kitabu, The Cassandra Group, and The Caballero from Catalonia, The Life of Juan Duval, the last two from Sunstone Press.

Softcover:
8 1/2 X 11 Illustrated, Color
ISBN: 978-1-63293-303-4
190 pp.,$55.00

English/Spanish, color plates, black and white illustrations, photographs

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Salvador Corona combined the career of bullfighter with that of an accomplished fine artist. After giving up bullfighting he concentrated on his art career. Born in Mexico, he later moved to Arizona where he became known for hand-painted furniture as well as his murals and easel paintings. A self-taught artist, he was also an authority on the art of Mexico of the 1800s.

Website: http://books.google.com/books?id=jKJdAAAAMAAJ&q=0865341192&dq=0865341192&hl=en&sa=X&ei=serDT97sOI3di

Softcover:
8 1/2 x 8 1/2
ISBN: 978-0-86534-119-7
64 pp.,$19.95

eBook:
ISBN: 978-1-61139-894-6
64 pp.,$9.99

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Some art lessons can inspire. Others are useless or even harmful. Eli Levin has written an amusing recollection of his art-student years and subsequent development. We witness his struggles to overcome the clichés and bombast so prevalent in the art world from 1950 to 1990. From every lesson the author hopes to find something useful, even occasionally a moment of insight. In the form of an artist’s memoir, this book concentrates on the difficult question what can artists learn? It is a close study of the crises and breakthroughs that make up the lifetime effort of one particular artist to develop his personal vision.

Eli Levin is one of New Mexico’s best-known living, working artists. Starting his career in Santa Fe in 1964, he became recognized for his paintings of local night life. While returning often to his Social Realist roots, his work has also explored mythology, still life, landscape and the nude. The son of novelist Meyer Levin, he has written art reviews and taught art history. He hosts two artist’s gatherings, a model drawing group since 1969 and The Santa Fe Etching Club since 1980. Levin studied painting with Raphael Soyer, George Grosz and Robert Beverley Hale among others, and has Master’s degrees from Wisconsin University and St. John’s College. He is also the author of Santa Fe Bohemia, The Art Colony, 1964–1980, and Why I Hate Modern Art, both from Sunstone Press.

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Softcover:
6 x 9
ISBN: 978-0-86534-859-2
130 pp.,$16.95

eBook:
ISBN: 978-1-61139-413-9
130 pp.,$4.99

Douglas Atwill is a painter who lives in Santa Fe, painting the New Mexico landscape and gardens, often his own studio garden. His paintings are in collections coast to coast and he continues to have solo exhibits. Atwill’s observations accompany each illustration. His other books from Sunstone Press include: Why I Won’t Be Going to Lunch Anymore, The Galisteo Escarpment, Imperial Yellow, Creep Around the Corner, The Oyster Shell Driveway, Dinner in the Labyrinth, and Husband Memory Pickles.

Hardcover:
8 1/2 x 8 1/2
ISBN: 978-1-63293-605-9
144 pp.,$60.00

Softcover:
8 1/2 x 8 1/2
ISBN: 978-0-86534-841-7
144 pp.,$22.95

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The early Twentieth Century brought into America many second generations of artists, writers, inventors and seekers of wealth who were born of immigrants from Europe. One of the great mural painters was born in 1910 to first generation Irish parents in Pittsburgh, Pennsylvania. His name was Edward O’Brien. Little is known about where we can see his earlier work. What we do know is that he left behind six mural masterpieces that were created between 1960 and 1975. Four murals were painted in New Mexico, one in Benet Lake, Wisconsin, at the St. Benedict’s Abbey and another at the Catholic Parish of St. Pius V in Chicago, Illinois.

What is so special about these murals is that they were created in places of worship and in Catholic institutes of learning. For more than three to four decades after their completion, they are still venerated today. Edward O’Brien’s use of acrylic paints blended with egg tempera on dry plastered panels has been compared to those of Renaissance masters. With his minute attention to detail and patient layering of paint, the luminosity of the murals appears as if it was just completed recently.

Edward O’Brien’s work reflects his study of the Old Masters and their technique of capturing light and expression. His murals depict the artist’s fascination with history and religion expressed through an eclectic mixture of landscapes, portraits and architecture. The murals reflect an influence of the great mural Mexican artists of the 1920s.

Peter Lopez is a master santero artist who was born in the rural town of Las Vegas, New Mexico, in 1940. Today, he resides in Montezuma, New Mexico. He has a bachelor’s degree in art education from the University of New Mexico. He spent four years in the Marine Corps and worked a number of years for the New Mexico State Department of Labor. He has two daughters, five grandsons and one great-grandson. He has been an active artist with the Spanish Colonial Arts Society for the last twenty-two years. Peter first viewed the mural, “Our Lady of Guadalupe’s Love for the Indian Race,” a spectacular work of Edward O’Brien’s, at the St. Catherine’s Indian School in Santa Fe, New Mexico. Since then, Peter has channeled his inspiration from Edward O’Brien’s art and created a collector’s edition of Edward O’Brien’s mural art work.

Website: http://www.peterelopez.com/

Softcover:
8 1/2 x 8 1/2
ISBN: 978-0-86534-933-9
52 pp.,$25.00

The short life and startling works of Expressionist artist Egon Schiele (1890–1918), are examined within the cultural context of early 20th-century Vienna.

Egon Schiele was a meteor that flashed across the galaxy of Viennese art at the beginning of the last century. Although he lived only twenty-eight years—dying quite suddenly of influenza in 1918 just as World War I came to an end—he left a stunning pictorial oeuvre. Schiele's obsession with sexuality, his own and that of others, made him at once a voyeur and a participant in that sexual imperative which Freud was concurrently plumbing with such unsettling results. The disturbing revelations of Schiele's unmasking portraiture and of the new science of psychology disclosed a collective cultural anxiety during the last years of the crumbling Austrian empire. Schiele was disturbingly dualistic: his provocative explorations of erotica with their startlingly modern sensibilities do not prepare the viewer for the tenderness revealed in his lyrical landscapes and mostly unpeopled town scenes. These emit a haunting loneliness and are related to an obsession with pathos expressed in the artist’s melancholy allegories and existential portraits.

Distinguished Professor of Art History Emerita at Southern Methodist University in Dallas, Texas, Alessandra Comini was awarded Austria’s Grand Medal of Honor for her books on Viennese artists Egon Schiele and Gustav Klimt. Her Egon Schiele’s Portraits was nominated for the National Book Award and her The Changing Image of Beethoven is used in classrooms around the country. Both books in new editions are now available from Sunstone Press as well as The Fantastic Art of Vienna, Gustav Klimt, and Schiele in Prison. Comini’s travels, recorded in her memoir, In Passionate Pursuit, also from Sunstone Press, extend from Europe to Antarctica and are reflected in her Megan Crespi Mystery Series: The Munch Murders, Killing for Klimt, The Schiele Slaughters, The Kokoschka Capers, The Kollwitz Calamities, and The Kandinsky Conundrum, all published by Sunstone Press.

“The best book on the Viennese wunderkind so far and maybe forever.” —John Canaday, The New York Times

“Alessandra Comini brings a keen eye and passionate spirit of engagement to the art of Egon Schiele. Her original research and scholarly insights illuminate the work and life of this quintessential Austrian artist.” —Renée Price, Director, Neue Galerie New York, Museum for German and Austrian Art

On the Cover: Death and Maiden (Self-Portrait with Walli), 1915 K. 207, oil on canvas, Courtesy Österreichische Galerie, Vienna.

Website: http://www.alessandracomini.com
Email: acomini@smu.edu

Hardcover:
8 1/2 X 11 Illustrated, Color
ISBN: 978-1-63293-448-2
140 pp.,$45.00

Softcover:
8 1/2 X 11 Illustrated, Color
ISBN: 978-1-63293-167-2
140 pp.,$26.95

NEW EDITION

Egon Schiele was a meteor that flashed across the galaxy of Viennese art at the beginning of the last century. Although he lived only twenty-eight years—dying quite suddenly of influenza in 1918 just as World War I came to an end—he left a stunning pictorial oeuvre. Schiele’s obsession with sexuality, his own and that of others, made him at once a voyeur and a participant in that sexual imperative which Freud was simultaneously plumbing with such unsettling results. The disturbing revelations of Schiele’s unmasking portraiture and of the new science of psychology disclosed a collective cultural anxiety during the last years of the crumbling Austrian empire. As a seer into the souls of his sitters, Schiele redefined portraiture in the age of Angst.

Alessandra Comini is University Distinguished Professor of Art History Emerita at Southern Methodist University, where she taught for thirty-one years after having served on the faculty at Columbia University for ten years. She is the author of eight books, one of which, Egon Schiele’s Portraits, was nominated for the National Book Award. The Republic of Austria extended her its Grand Decoration of Honor in 1990. This is her third book on the artist; she has also published Schiele in Prison, an extended essay and English translation of the 1912, makeshift diary Schiele kept during his twenty-four days in a provincial prison cell—a forgotten cell which she discovered and photographed in 1963. The cell is now part of a Schiele Museum in the village of Neulengbach. Her 2014 Megan Crespi mystery novel, Killing for Klimt, is followed by The Schiele Slaughters.

“The best book on the Viennese wunderkind so far and maybe forever.” —John Canaday in The New York Times Book Review

Website: http://www.alessandracomini.com
Email: acomini@smu.edu

Hardcover:
8 1/2 X 11
ISBN: 978-1-63293-199-3
568 pp.,$60.00

Softcover:
8 1/2 x 11
ISBN: 978-1-63293-012-5
568 pp.,$50.00

“Comini is one of the most compellingly readable art historians writing today.” —Publishers Weekly

Art, music, literature, and science in Vienna at the turn of the last century presented a series of wrenching dualities: reality and illusion, sexuality and death, the external world and the internal self. Celebrated art historian Alessandra Comini explores in a lively, authoritative text the demonic origins of the 1000-year-old Habsburg Empire, easternmost outpost of Christendom against the dreaded Ottoman Turks. Escape from death encouraged a flight from reality and a predilection for the fantastic. Strauss waltzes inspired a collective escapism while a conquering Napoleon entered the city—twice. Vienna’s fantastic heritage inspired composer Arnold Schönberg, author Hugo von Hofmannsthal, physician Sigmund Freud, and invigorated the work of Franz Xaver Messerschmidt, Anton Romako, Gustav Klimt, Alfred Kubin, Egon Schiele, Oskar Kokoschka, and the Fantastic Realism of Arnulf Rainer and Friedrich Hundertwasser.

Distinguished Professor of Art History Emerita at Southern Methodist University in Dallas, Texas, Alessandra Comini was awarded Austria’s Grand Medal of Honor for her books on Viennese artists Egon Schiele and Gustav Klimt. Her Egon Schiele’s Portraits was nominated for the National Book Award and her The Changing Image of Beethoven is used in classrooms around the country. Both books in new editions are now available from Sunstone Press as well as Egon Schiele, Gustav Klimt, and Schiele in Prison. Comini’s travels, recorded in her memoir, In Passionate Pursuit, also from Sunstone Press, extend from Europe to Antarctica and are reflected in her Megan Crespi Mystery Series: The Munch Murders, Killing for Klimt, The Schiele Slaughters, The Kokoschka Capers, and The Kollwitz Calamities, all published by Sunstone Press.

Website: http://www.alessandracomini.com
Email: acomini@smu.edu

Hardcover:
8 1/2 X 11, Illustrated
ISBN: 978-1-63293-586-1
152 pp.,$60.00

Softcover:
8 1/2 X 11, Illustrated
ISBN: 978-1-63293-153-5
152 pp.,$24.95

A book of humor with famous paintings re-imaged with political figures from an era in American politics.

Michele Weston Relkin says in her preface to this book: “Many times as an artist and educator the drumbeat of chaos and excitement can develop into a great piece of art. So it is with this highly enjoyable mix of classical paintings and the political faces that make our American history. With these two elements brewing this compilation of imagery was born. Structuring and repainting the portraits so they live well with the famous paintings was a challenge. But the outcome is highly amusing and a great piece of the American political story. I do not side politically with my artwork but try to bring a smile that is nonpartisan.”

Michele Weston Relkin is one of Santa Fe, New Mexico’s best known living and working artists. She became famous for her social realistic paintings that have occupied the White House for many years. Her work explores many depths outside this venue including mythological, figurative and visual landscapes. She is the creator of “Inside-Out,” a rich celebration of her students’ work. Michele teaches and encourages all her students to greater levels of accomplishments through her private and group workshops. Her paintings are enjoyed throughout the United States and Europe.

Softcover:
8 1/2 x 8 1/2 Illustrated, Color
ISBN: 978-1-63293-254-9
52 pp.,$18.95

Fremont F. Ellis, a famous landscape painter, was born in Virginia City, Montana in 1897. His father was a nomadic dentist and theater operator who traveled from the bustling gold towns of the American West to the metropolitan cities of the east. Ellis began painting at about twelve years of age although he had little art instruction or formal education of any kind.

He had his first art showing in El Paso, Texas while still in his teens and was immediately praised for his work. However, his father thought he should have a profession along with his art work, so he studied optometry and had his own practice. But he wasn’t happy with the life of a businessman, and after visiting friends in Santa Fe, New Mexico, he decided to make his home there and pursue his art work seriously.

In 1921, Ellis joined with four other young painters in Santa Fe—Josef Bakos, Walter Mruk, Will Shuster, and Willard Nash—and together they founded an art society called Los Cinco Pintores. They called themselves modern artists who encouraged freedom of expression and they made a definite impression on the art movement in Santa Fe. The group disbanded in 1926, but Ellis continued painting until his death in 1985. He showed his work actively in Santa Fe and Los Angeles, his unique impressionistic style earning him a large and dedicated following. His work is in many museum collections including the Museum of New Mexico, the El Paso Museum, the Art Institute in Lubbock, Texas, and the Stark Museum in Orange, Texas. This book was written with the help of Bambi Ellis, the daughter of Fremont F. Ellis.

Barbara Spencer Foster is a third generation native New Mexican. She grew up in the shadows of the Manzano Mountains where her ancestors had settled in the 1800s. She is the author of Girl of the Manzanos, Pecos Queen, Fire in the Bosque, and Santa Fe Woman, all from Sunstone Press.

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Hardcover:
8 1/2 x 8 1/2
ISBN: 978-1-63293-426-0
124 pp.,$54.95

Softcover:
8 1/2 x 8 1/2
ISBN: 978-0-86534-632-1
124 pp.,$35.00

The Only Collection Personally Authorized by Gene Kloss as Representative of Her Work.

Order from Sunstone: (505) 988-4418

Today the name Gene Kloss, NA, is synonymous with copperplate etchings and when this book was first published by Sunstone Press in the early 1980s it quickly became a collector’s item. Her limited edition prints are now becoming priceless on the art market. This book, the sole complete source of information that was selected and personally approved by this outstanding artist, contains black and white reproductions with text by noted author Phillips Kloss.

When Gene and her poet-husband Phillips Kloss first arrived in Taos, New Mexico, her first etching press, a sixty-pound machine, was installed at their camp in Taos Canyon by cementing it to a large rock. That press was eventually replaced by a 1,084 pound Sturges etching press purchased from a defunct greeting card company. With the years and the continual dedication came honors, national and international. The Smithsonian, the National Gallery, The Corcoran Gallery of Fine Art, the Library of Congress and the Metropolitan Museum of Art, as well as many others house the works of Gene Kloss in their permanent collections.

From her spare life on the eastern edge of Taos with neither water nor electricity, but plenty of firewood, kerosene and inspiration, Gene Kloss informed the art world of the special beauty inherent in southwestern images: the churches, the Indian faces, the mountains and valleys, the dances and intricate rhythms of life in a part of the United States that remains essentially unchanged to this day.

ART NEWS called Gene Kloss “…one of our most sensitive and sympathetic interpreters of the American Southwest.”

Website: http://books.google.com/books?id=v3oJQG5PnmAC

Hardcover:
8 1/2 X 11
ISBN: 978-0-86534-008-4
194 pp.,$45.00

Softcover:
8 1/2 x 11
ISBN: 978-1-63293-135-1
194 pp.,$40.00

"Thoroughly researched and referenced, the book includes anecdotes and excerpts from letters as well as black & white photos of the artist and colleagues, and line-drawn maps." BOOK NEWS

Not "...some stuffy academic tome that seeks to uncover secrets about the artist, it's a loving book written by O'Keeffe's friend, Nancy Reily" SANTA FE REPORTER

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The time is 1887. From any window in Georgia O’Keeffe’s Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, “I want to be an artist.” Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land.

Georgia’s love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She fell prey to its charms which were not long removed from the echoes of the “Wild West.”

These views of prairie, plains and sky became Georgia’s muses as she embarked on her step-by-step path with her role models--Alon Bement, Arthur Jerome Dow and Wassily Kandinsky.

In this two-part biography of which this is Part 1 coverying the period 1887-1945, Nancy Hopkins Reily “walks the Sun Prairie Land,” as if in Georgia’s day as a prologue to her family’s friendship with Georgia in the 1940s and 1950s. Reily chronicles Georgia’s defining days within the arenas of landscape, culture, people and the history surrounding each, a discourse level that Georgia would easily recognize.

NANCY HOPKINS REILY was a classic outdoor color portraitist for more than twenty years and has taught portrait workshops at Angelina College in Lufkin, Texas where she had a one-woman show of her portraits. Her advance studies included an invitational workshop with Ansel Adams. Reily graduated from Southern Methodist University and lives in Lufkin, Texas. She is also the author of “Classic Outdoor Color Portraits” and “Joseph Imhof, Artist of the Pueblos,” both from Sunstone Press.

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Website: http://www.nancyhopkinsreily.com
Website: http://books.google.com/books?id=o2xJ0ZZWmyEC

Hardcover:
6 x 9
ISBN: 978-0-86534-451-8
435 pp.,$50.00

Softcover:
6 x 9
ISBN: 978-1-63293-042-2
435 pp.,$28.95

eBook:
ISBN: 978-1-61139-007-0
435 pp.,$14.99

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The time is 1946. From Georgia O’Keeffe’s old hacienda sitting on a bluff in Abiquiu, New Mexico, she could see my aunt and uncle, Helen and Winfield Morten’s property across the Chama River. Georgia had begun the restoration of her property. The Mortens, in the final stages of purchasing land along the Chama River, had recently completed their restoration of another old hacienda they called Rancho de Abiquiu.

As one of few Anglos in the Chama River valley, Georgia ventured over to Rancho de Abiquiu to introduce herself and a private friendship resulted with the Mortens and their family. In this close family circle, Georgia revealed herself and proved that beneath her bare face there was more to her than just an artist of legendary proportions.

Nancy Hopkins Reily spent many of her childhood days walking the Abiquiu and Ghost Ranch land. She explored the canyons, the White Place, Echo Amphitheater, the mountains, and the Chama River by walking the trails worn by earlier moccasined feet. In a seamless, clear, and straightforward narrative of excerpts from their lives, Reily presents Georgia in a time-window of her age. The book features Reily’s youthful experiences, letters from Georgia, glimpses of the family’s memorabilia and photographic snapshots—all gracefully woven into the forces of the contemporaneous scene that shaped their friendship. In addition, there are insights into the land’s beauty, times, culture, history and the people who surrounded Georgia, as well as many minute details that should be remembered and which are often overlooked by others when they speak of Georgia O’Keeffe.

Nancy Hopkins Reily was born in Dallas, Texas, and attended Gulf Park College in Gulfport, Mississippi, for one year. She graduated from Southern Methodist University with a B.B.A. in Retail Merchandising. Since childhood she has divided her time between Texas, Colorado and New Mexico. At a young age, the colorful New Mexico landscape captured her heart and gave her a sense of place. She continues to enjoy its beauty. Reily makes her home in Lufkin, Texas.

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Website: http://books.google.com/books?id=l0zhZ66Ngf8C&dq=9780865344525&source=gbs_navlinks_s

Hardcover:
6 X 9
ISBN: 978-0-86534-452-5
548 pp.,$60.00

Softcover:
6 x 9
ISBN: 978-1-63293-043-9
548 pp.,$29.95

eBook:
ISBN: 978-1-61139-008-7
548 pp.,$

Ilustrated by Gene Kloss.

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The legends of the American Southwestern world, along with man's relationship and reactions to his natural habitat and to his universe are set into this compelling poetry of Phillips Kloss. Kloss considered this volume to be “a religious essence of his country and his humanity with the kiva theme, the man theme and the verbality theme consistent throughout.” Phillips Kloss was born in Webster Groves, Missouri in 1902. He moved to New Mexico in 1916 where he worked on his brother’s ranch, later graduating from the University of California at Berkeley in 1925. Once a reporter for the San Francisco Bulletin, he married the artist/etcher Alice Geneva Glasier (Gene Kloss) and moved to Taos, New Mexico in 1927. He is also the author of North Star, Rainbow Obsidian, The Stronghold, and The Taos Crescent, all from Sunstone Press.

Gene Kloss is considered to be among the best etchers in the world. Her faithful record of the spirit and ceremony of the Pueblo Indian is valued not only by collectors, but also by anthropologists who use her work to verify costume and dance. Art critic Alfred Frankenstein stated: “She is both poet and virtuoso, but the virtuosity is always kept subordinate to the poetic ideal.” Her book, Gene Kloss Etchings, was also published by Sunstone Press.

Softcover:
8 1/2 x 11
ISBN: 978-0-91327-084-4
106 pp.,$18.95

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A definitive examination of the famous sculptor by the woman who knew him best. Boris Gilbertson was known primarily as a sculptor, and his commissioned works in stone and metal, through largely in private colections, can also be seen in the public buildings and outdoor settings in the East and Midwest for which they were undertaken. Widely collected too, however, are the artist's Sumi brush drawings, generously illustrated in these pages. Having studied classic Chinese writing in Chicago, Gilbertson remained a student of Chinese thought: it was apparent in all of his work. In the artist's works, "I like to keep fairly close to the earth in the sense that the Chinese do." In his work, the goal was to find something great in the commonplace. Gilbertson was born in Evanston, Illinois, and lived much of his adult life there; he also spent several years in Cornucopia, Wisconsin. He moved in 1960 to Santa Fe, New Mexico, and there lived and worked for the last twenty-two years of his life.

Website: http://books.google.com/books?id=0-DEAAAACAAJ&dq=9780865341159&hl=en&ei=nB_UTqajMOWZiAKk-_3FDg&sa=X&

Softcover:
8 1/2 x 11
ISBN: 978-0-86534-115-9
96 pp.,$18.95

eBook:
ISBN: 978-1-61139-883-0
96 pp.,$9.99

An examination of the decorative symbolism of Viennese painter Gustav Klimt (1862–1918) in his portraits, allegories, and landscapes and their relationship to the sexual imperative addressed by Sigmund Freud.

Austria’s most influential and revered artist at the beginning of the last century was Gustav Klimt (1862–1918). Master of three genres—allegory, portraiture, and landscape—his alluring imagery, decorative colors, and sinuous line seduce the eye and stir the mind. His landscapes are studded with opulent symbols of regeneration and fecundity, while his philosophical allegories enact and question the eternal recurrence of life and death. During an age of lingering societal repression, Klimt’s riveting, sumptuous portraits of society women delivered an unmistakable and urgent message of sensuality. In this landmark study of Klimt and the cultural climate of imperial Vienna, Comini discusses the “reverse” parallel between Freud’s revelation of the supposed erotic content of dream symbols and Klimt’s obscuring of the manifest content—the sexual imperative—through cumulative and symbolic ornament. Her text brings a startling new dimension to the compelling art of a very private man.

Distinguished Professor of Art History Emerita at Southern Methodist University in Dallas, Texas, Alessandra Comini was awarded Austria’s Grand Medal of Honor for her books on Viennese artists Egon Schiele and Gustav Klimt. Her Egon Schiele’s Portraits was nominated for the National Book Award and her The Changing Image of Beethoven is used in classrooms around the country. Both books in new editions are now available from Sunstone Press as well as The Fantastic Art of Vienna, Egon Schiele, and Schiele in Prison. Comini’s travels, recorded in her memoir, In Passionate Pursuit, also from Sunstone Press, extend from Europe to Antarctica and are reflected in her Megan Crespi Mystery Series: The Munch Murders, Killing for Klimt, The Schiele Slaughters, The Kokoschka Capers, The Kollwitz Calamities, and The Kandinsky Conundrum, all published by Sunstone Press.

“…valuable for scholars and Klimt lovers alike and an essential item for museums and libraries.” —Dr. Felizitas Schreier, President, Verein Gedenkstätte Gustav Klimt, Vienna

“Highly readable, impeccable in its scholarship, and pioneering in its interpretations, Alessandra Comini’s Gustav Klimt has been an invaluable introduction to the Austrian artist for years. More than any other author, Comini has shaped our perception of Klimt and his place in Vienna’s cultural life around 1900.” —Reinhold Heller, Professor of Art History and of Germanic Studies emeritus, The University of Chicago

“Art historian Alessandra Comini brings great scholarly passion and imaginative sympathy to her work on Gustav Klimt and the Viennese culture that formed him. Her groundbreaking research has illuminated the life and work of some of the twentieth century's most compelling artists as well as composers.” —Renée Price, Director, Neue Galerie New York, Museum for German and Austrian Art

Website: http://www.alessandracomini.com
Email: acomini@smu.edu

Hardcover:
8 1/2 X 11 Illustrated
ISBN: 978-1-63293-450-5
132 pp.,$45.00

Softcover:
8 1/2 X 11 Illustrated
ISBN: 978-1-63293-168-9
132 pp.,$26.95

"...a simple and charming story of a dog who dreams of joining the circus. In the process he meets the delightful and warmhearted Calico Girl, and enjoys a wondrous dream. A folk art style in lush color illustrates this upbeat and charming tale for young folks." (CHILDREN'S BOOKWATCH)

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In this charming story of a dog who dreamed of being in the circus, Jean Strong has used her beloved poodle, Gypsy, for inspiration along with her vivid artistry to create a book that has appeal for all ages. Jean is a collector of Black folk art and toy animals and is the owner of Tiqua Gallery in Santa Fe, New Mexico where she also has a home and studio. She first had the idea for the book while she was seated at her deak at the gallery and imagined a dream that Gypsy might have had and sketched out fanciful drawings to accompany the story. Later, in her studio, these sketches became large colorful paintings, which are the illustrations for the book. Gypsy was adopted from a local animal shelter in New Mexico and is the official greeter at Jean's gallery.

Website: http://books.google.com/books?id=sU3JAAAACAAJ&dq=0865343004&hl=en&sa=X&ei=gQTIT6m1NoTM2AXhyqzdDQ&ved

Hardcover:
8 1/2 X 11
ISBN: 978-0-86534-300-9
48 pp.,$24.95

eBook:
ISBN: 978-1-61139-922-6
48 pp.,$4.99

See "Praise for this Book" below.

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He couldn’t say “I love you” until the end. And now he was gone. Before, there was the intense love affair mixed with deep disappointments and hurts that started in the 1920s and developed over the years when the two were artists and architects in Santa Fe and Taos. Afterwards, she went on—on to reach new heights as she became a famous builder of adobe houses and a painter of all that surrounded her. But his influence remained and it permeates her writing as firmly as the mind that dominated her before his death. Yet this seems to stimulate her probing deeper into her own self and she transports the reader to the art colonies, the blue skies and clean, cool air of northern New Mexico over several decades. Is this a love story? Perhaps not. More likely this is a study in the transforming of attitudes, shaping the reader’s thought to appreciate everything about everyday life, encouraging joy in every emotion, searching for one’s own consciousness.

Myrtle Stedman was known as an “Artist in Adobe,” designing, building, and remodeling adobe homes under a contractor’s license. She was also a well-known artist whose academic training started in 1927 when she was a student in the Houston Museum of Fine Arts school. Her English born husband, Wilfred Stedman, whose background was in architecture as well as in painting and illustrating was recognized as one of the most outstanding artists of the American Southwest. Adobe architecture in New Mexico was one of Wilfred’s favorite topics of conversation and Myrtle was instilled with the love of adobes from the moment they were married. After his death in 1950, Myrtle went on to become one of the foremost authorities on adobe construction. Myrtle Stedman was a member of PEN New Mexico, a branch of PEN Center USA West of International PEN and believed that there is no end to what the mind can do with the eye and hand, in time and in spirit. She is also the author of Artists in Adobe, Adobe Architecture, Adobe Remodeling and Fireplaces, Of One Mind, Of Things to Come, Ongoing Life, Rural Architecture, The Ups and Downs of Living Alone in Later Life, and The Way Things Are or Could Be, all from Sunstone Press.

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Softcover:
5 1/2 x 8 1/2
ISBN: 978-0-86534-145-6
112 pp.,$16.95

eBook:
ISBN: 978-1-61139-898-4
110 pp.,$4.99

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In How to Paint and Sell Your Art, Marcia Muth has written a book for both the beginning and the more experienced artist. A practical and useful guide, it is based on actual working experiences in art. For the beginner there is information on supplies, equipment, studio space and how to start that first painting. Chapters on pricing, exhibitions, galleries and agents answer questions for the more advanced artist.

Marcia Muth, a successful self-taught artist, has exhibited throughout the county. Her paintings are in private and corporate collections and in the collection of the Museum of New Mexico. She is a graduate of the University of Michigan.

Website: http://books.google.com/books?id=i9pS2XPKw00C

Softcover:
5 1/2 x 8 1/2
ISBN: 978-0-86534-019-0
76 pp.,$14.95

eBook:
ISBN: 978-1-61139-941-7
76 pp.,$5.99

Memoir of an internationally known art scholar, art historian, author and teacher.

Overflowing with passion for her work as a scholar and teacher, Distinguished Professor of Art History Emerita at Southern Methodist University in Dallas, Texas, Alessandra Comini reminisces through six decades as an unconventional art historian in this illustrated memoir. The author of award-winning books on Egon Schiele, Gustav Klimt, and Ludwig van Beethoven, Comini draws on her sixty years of daily journals, sharing research-related anecdotes as she reflects on the formation and flowering of her distinguished career. Beginning with her colorful background as a refugee from Franco’s Spain, then Mussolini’s Italy, she describes her music-loving family’s sometimes humorous, sometimes painful adjustment to a World War II Texas. A series of fortuitous experiences at Interlochen’s National Music Camp, Barnard College, the University of California at Berkeley, and Columbia University later leads to what would ultimately be a turning point in her life as well as in Schiele scholarship. She discovered the actual cell in which Schiele had been imprisoned in a provincial Austrian jail half a century earlier. Comini invites readers to join her in the same zestful and persistent pursuit of cultural history that has repeatedly earned her the honor of being voted “outstanding” professor, by her students at Columbia University and later at Southern Methodist University in Dallas. Her research and quests take the reader around the world and back. From the islands of Corfu, Madeira, Rügen, and Tahiti to the cities of Lisbon, Rome, Oslo, and St. Petersburg, Comini pursues such diverse and distinctive personalities as Rosa Bonheur, Gustav and Alma Mahler, Pablo Picasso, Eleonora Duse, Edvard Munch, Käthe Kollwitz, Vaslav Nijinski, and Egon Schiele. Alessandra Comini’s memoir will inspire readers with its sincere and compelling account of an extraordinary life and career still passionately in progress. Retirement for her has meant discovering a joyful new profession: writing art history murder mystery novels that take her eighty-year-old pseudonymous heroine Megan Crespi from the top of Europe down to Antarctica in pursuit of murderous purloiners of artworks by Klimt, Schiele, Kokoschka, Munch, and Kollwitz.

Booklist reported: This erudite, mostly engaging self-portrait charts the making of an art historian and professional “seer,” whose passion and wit enabled her to become a noted teacher and scholar at Southern Methodist University. Comini helped unearth centuries of overlooked women in art and wrote landmark studies of the Austrian painter Egon Schiele and of musical iconography. For someone engaged in a life of the mind, she has lived much of it in motion, and the art of travel and close consideration of cultural context have been her keys to learning and teaching. She is at her riveting best when she reveals her discoveries about Schiele in his Vienna prison cell, Winckelmann in Rome and Trieste, the composer Edvard Grieg in Norway, and the painter Akseli Gallen-Kalella in Finland. Her short essays dazzle the most when they reveal her keen eye, such as when she discerns how the German artist Kathe Kollwitz, in a bust of herself, “used the resolute features of her own aging face as a spiritual topography for courage and resignation.”

Alessandra Comini was awarded Austria’s Grand Medal of Honor for her books on Viennese artists Egon Schiele and Gustav Klimt. Her Egon Schiele’s Portraits was nominated for the National Book Award and her The Changing Image of Beethoven is used in classrooms around the country. Both are now available in new editions from Sunstone Press. Her ongoing Megan Crespi Mystery Series including Killing for Klimt, The Schiele Slaughters, The Munch Murders, and The Kokoschka Capers are also from Sunstone Press as well as a new edition of The Fantastic Art of Vienna. Other books by Alessandra Comini are Schiele in Prison, Gustav Klimt, Egon Schiele, and Nudes: Egon Schiele.

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Website: http://www.alessandracomini.com
Email: acomini@smu.edu

Hardcover:
6 x 9
ISBN: 978-1-63293-471-0
242 pp.,$36.95

Softcover:
6 x 9
ISBN: 978-1-63293-140-5
242 pp.,$22.95

eBook:
ISBN: 978-1-61139-485-6
242 pp.,$3.99

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The beautiful and lively sketches in this volume are travel sketches by the Santa Fe architect John McHugh—designer of the first Santa Fe Opera Pavilion and designer and restoration architect for a host of churches, fine houses, and commercial and institutional buildings in New Mexico.

McHugh was a consummate traveler. His journeys took him throughout New Mexico and to other parts of the US, Mexico, and Europe. The travel sketches in this volume are from the eight travel-worn sketchbooks that he left behind after his death in 1995. Here are mostly his sketches of New Mexico, but also included is a good smattering of sketches from his other journeys. His eye for detail, for capturing the essence of scenes and settings, and for expressing the salient qualities of both the man-made and nature, is remarkable. By assembling these sketches in one place, we believe readers will be inspired by his observations to see the familiar and the new in our environment in a new way, as well as to be inspired to try their own hand at travel sketching.

Norman Crowe is an architect and emeritus professor at the University of Notre Dame and an adjunct professor in the University of New Mexico's School of Architecture and Planning. He comes from Southern Colorado and is the author of books and articles on architecture, urbanism, and the built environment and nature. He has taught drawing and sketching to architecture students in the United States and in Europe where he worked along Francesco Montana, McHugh's early mentor in the art of travel sketches.

Email: ncrowe@nd.edu

Softcover:
8 1/2 x 8 1/2
ISBN: 978-0-86534-895-0
174 pp.,$45.00

Joseph Imhof, a master lithographer and painter, recorded the American Pueblo Indians’ way of life from 1907 to 1955. Unlike other New Mexico artists of that time, Imhof chose not to use his art to interpret the Pueblo Indians. Rather, his works present anthropological information with such authentic detail that the Pueblos recognized him as an authority on their customs and life. They called him the Grand Old Man of the Pueblos. Nancy Hopkins Reily and Lucille Enix in this biography chronicle the life and art of this master lithographer, inventor and self-taught artist who counted among his friends “Buffalo Bill” Cody, Mabel Dodge Luhan, and E. Martin Hennings. Until now, this unique American painter has remained elusive, undiscovered by many, partly because he lived in the shadow of other artists and writers who made themselves more visible during the Golden Age of Taos, New Mexico. Yet Joseph Imhof’s work will undoubtedly leave as much of an impact as any other early American artist. The book includes 45 color images, 62 black and white photographs, as well as a chronology, bibliography, and index.

Nancy H. Reily is the recognized authority on Joseph Imhof through her personal acquaintance with the Imhofs. Mrs. Reily graduated from Southern Methodist University and lives in Lufkin, Texas where she developed a successful career in outdoor color portraiture. She is also the author of Classic Outdoor Color Portraits, A Guide for Photographers; Georgia O’Keeffe, A Private Friendship, Part I, Walking the Sun Prairie Land; Georgia O’Keeffe, A Private Friendship, Part II, Walking the Abiquiu and Ghost Ranch Land; My Wisdom That No One Wants, and Half-Past Winter, all from Sunstone Press. Her first book, I Am At An Age, was published by Best of East Texas Publishers. Reily makes her home in Lufkin, Texas. www.nancyhopkinsreily.com.

Lucille Enix co-authored The Ultrafit Diet and was a features writer for the Chicago Tribune, features editor for The Dallas Morning News, and editor of Dallas and Vision magazines.

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Website: http://www.nancyhopkinsreily.com
Website: http://books.google.com/books?id=XRWRLTPARcgC

Hardcover:
6 x 9
ISBN: 978-0-86534-259-0
448 pp.,$60.00

Softcover:
6 x 9
ISBN: 978-1-63293-121-4
448 pp.,$45.00

eBook:
ISBN: 978-1-61139-867-0
448 pp.,$19.99

Back in Print in a New Edition

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In March of 1924, D. H. Lawrence, Frieda Lawrence and the Honorable Dorothy Brett went to Taos, New Mexico, to absorb the color and romance of what was to them a mysterious and compelling land. Dorothy Brett recreated those days in this fascinating first-hand account, and also writes of when she was the close friend of Aldous Huxley, Lytton Strachey, Katherine Mansfield, and other important literary and artistic figures. But more importantly, she focused on her relationship with Lawrence and the book was specifically addressed to him as if he were to read it, reminding him personally of her long-standing devotion.

Such devotion was not rebuffed by Lawrence, it seems, but it was met differently by the two other women orbiting the famous writer: his wife, Frieda Lawrence, and Mabel Dodge Luhan. They were in turn cross and conciliatory to her. But it seems that she just accepted them as other intense admirers, took it all simply and wrote it all down with a minimum of comment.

Dorothy Brett was well-known in her own right. The daughter of Viscount Esher Brett, confidant of Queen Victoria, she spent six years studying at the Slade School of Art in London and was a member of the Bloomsbury set in England, among whose many luminaries Brett moved when a young woman. She was also gaining recognition as an artist even before she arrived in the American Southwest. But it was there that her true artistic talents emerged and her works now hang in major museums as well as in private collections.

When this book was first published in 1933, it was praised by critics as well as the general public. Alfred Stieglitz said: “It was a rare spiritual experience--no student of Lawrence can afford to miss this book…. There is an integrity in the book--a sense of the eternal--a sense of Light--which raises it above all the other books I have read about Lawrence.” And, interestingly, Mabel Dodge Luhan called it “clearly and explicitly drawn.”

Here it all is again with additional material added by Dorothy Brett herself when the 1974 edition was first published by Sunstone Press.

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Hardcover:
6 x 9
ISBN: 978-0-86534-465-5
340 pp.,$60.00

Softcover:
6 x 9
ISBN: 978-0-86534-466-2
340 pp.,$24.95

eBook:
ISBN: 978-1-61139-487-0
340 pp.,$4.99

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Left Early, Arrived Late conveys an unconventional biography of an unconventional woman. Marcia Muth, Memory Painter, emerges through a series of scenes from her life, a long life that began in 1919. “It was a good childhood,” Muth says, reflecting on her early years. But her perspective is at odds with the “good childhood” prescribed by most theories of human development. For that reason, James Hillman’s myth-enriched book, The Soul’s Code, serves as guide for this tale of a remarkable artistic life. Hillman tells us that each soul has an accompanying daimon that knows that soul’s destiny and that serves as its impetus. A life such as Muth’s, that has consistently run counter to typical roles and expectations--of children, of females, of career development, of most of Muth’s contemporaries--lends credence to the notion that norms are meaningless when applied to individuals.

Muth, accurately described at various points in her life as odd child, ward of the state, professional librarian, poet, entrepreneur, Jew, estranged daughter, mentor, caretaker, visionary, Living Treasure, and Memory Painter, permitted extensive interviews for this book. Friends and acquaintances from throughout her life also provided important information. Her art and her poetry tell parts of her story and photographs trace the subject of the scenes through her years. The result is Left Early, Arrived Late, a biography that is uncommon, as is its subject, Marcia Muth, Memory Painter.

Teddy Jones writes about women, particularly women whose lives allow readers to view the uncommon in the ordinary. She lives and works in the settings she enjoys most--rural West Texas and New Mexico.

Jones’ website, www.tjoneswrites.com, includes additional material created in response to her acquaintance and friendship with Marcia Muth. More scenes, a series of imaginary art works created as a result of writing Left Early, Arrived Late--Scenes from the Life of Marcia Muth, Memory Painter, invite readers to enter a tour of Muth’s life through visualization and questions that prompt further exploration.

Jones is also the co-author of A Stone for Every Journey and 100 Doses, a finalist in the 2007 New Mexico Book Award competition. Both books are published by Sunstone Press.

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Website: http://www.tjoneswrites.com
Website: http://books.google.com/books?id=sb7I5plGSYEC

Softcover:
6 X 9
ISBN: 978-0-86534-665-9
160 pp.,$19.95

Through his lithographs and poems, we share the symbolic journey of this important Indian artist.

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“Charles Lovato is a poet obsessed with the past, his Indian heritage, his childhood, loved ones now gone,” says R. C. Gorman. “I say, without the Lovatos--confident, exultant, lonely, loving and wise--there would be no poems, no real life under the sun.” This collection of poems and images captures Lovato at his best.

The late Charles Lovato, a Santo Domingo Indian, was born in 1937 and lived in Sile, New Mexico. Of himself he said, “(I) had no formal training in many of the things I do, writing being one of them. I have learned first hand from the hills and rivers of shapes, sounds and quiet. Also trying to survive a system too rigid and demanding of precious, I have written of what I feel, what I see and know, that is all.”

Hardcover:
8 1/2 x 10
ISBN: 978-0-86534-010-7
48 pp.,$35.00

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Here is an animal farm like no other! Altina--who was a famous designer of eyeglass frames--tells the touching story of love and making choices. Her vivid statement about human nature in this imaginative allegory is for children and adults alike.

Softcover:
8 1/2 x 11
ISBN: 978-0-86534-202-6
20 pp.,$8.95

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Maria Martinez is the renowned late potter of San Ildefonso Pueblo in New Mexico whose pots were often given by President Lyndon Johnson to visiting heads of state. This book tells, in simple terms and photographs, how she produced her famous polished blackware. Maria’s pots are in museums and private collections all over the world. Hazel Hyde originally composed a picture story similar to the current book about Maria Martinez in 1930 for the students in her private school in New York City to teach them about pottery making among American Southwestern Indians.

Website: http://books.google.com/books?id=iRD2AQAACAAJ&dq=Maria+Making+Pottery+Sunstone

Softcover:
6 X 9
ISBN: 978-0-86534-156-2
32 pp.,$7.95

LAVISHLY ILLUSTRATED IN COLOR AND B&W

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Artists began coming to New Mexico in the late nineteenth century. They came from everywhere, from Maine to California and a few from Europe. They were attracted by the dazzling New Mexican landscape, the hospitality of town and village life, and very important, the Indian and Hispanic cultures that had shaped the artistic imagination of New Mexico for centuries.

From an artist’s point of view it was a rich mix, and between art and odd jobs, they managed to make a living. Until the Great Depression of the 1930s. Then, as the artist Louie Ewing said, “the jobs ran out.” No matter what you were willing to do, there was no work, and nobody was buying pictures and pots.

Help came from Washington. New Deal planners offered artists jobs to “beautify” the community. Almost immediately, artists in New Mexico picked up their brushes and chisels, and for almost ten years, between 1933 to 1943, signed onto Federal programs.

How did artists, traditionally loners, like working for the government? When the Santa Fe artist William Lumpkins was asked, he said: “We thought it was heaven on earth to be paid to paint.”

Fortunately, many New Deal artists had the opportunity to speak for themselves. In state-sponsored interviews they tell us in their own words what the New Deal art programs meant to them. Their rich interpretations of that experience and a selection of the work they produced is what this book is about.

JACQUELINE HOEFER’s publications include Imagining the Garden, a book of poems; Weather Songs, three poems set to music by Lanham Deal; and critical essays on contemporary writers, among them, Samuel Beckett, Harold Pinter and Norman Mailer. Her latest book is Night in a White Wood, New and Selected Poems.

Mrs. Hoefer received a Ph.D. in American literature from Washington University, St. Louis, Missouri, and in the early 1960s taught at the University of California, Berkeley, and at San Francisco State University. In 1967, she joined her husband Peter Hoefer in starting Hoefer Scientific Instruments, a San Francisco company specializing in producing instruments for biological research. After Peter Hoefer’s death in 1987, she carried on as chief executive officer. She is currently an editor for Sunstone Press.

Website: http://www.newdeallegacy.org
Website: http://books.google.com/books?id=TsiVodGK2cAC

Hardcover:
8 1/2 x 11
ISBN: 978-0-86534-305-4
196 pp.,$60.00

Softcover:
8 1/2 X 11
ISBN: 978-0-86534-371-9
196 pp.,$45.00

Eli Levin is best known for his second generation Social Realist paintings. These have often included nudes, as for example in striptease scenes and images of gender politics. Throughout his career he has painted nudes in many other contexts as well. In this book Levin presents an extended meditation on the practice of painting nudes. In his introduction he discusses the many reasons nudes have been painted, citing both famous and forgotten examples. He considers modern criticism from Feminists and recent theories that deconstruct the “Male Gaze.” Captions to the images develop themes in the introduction and provide personal anecdotes from Levin’s life and career.

The 144 color images of his paintings that feature nudes are culled from a fifty-year period of work. The images are grouped into five sections, largely chronologically: Disturbing Nudes, Mostly Couples, Nudes from Life, Myths, and Contemplative Nudes. He also offers numerous images of relevant nudes from the history of art with informative captions. As a boy, Levin lived with his parents in a nudist colony near Chicago. During his teenage years and as a young man he studied drawing and painting from nude models. Three of his teachers in New York—Phillip Reisman, George Grosz, and Raphael Soyer—were Social Realists known for their figurative work. He served as the daily monitor of Soyer’s figure-drawing group for two years, and later studied anatomy with Robert Beverley Hale at the Art Student’s League.

Eli Levin is one of New Mexico’s best-known living, working artists. Starting his career in Santa Fe in 1964, he became recognized for his paintings of local night life. While returning often to his Social Realist roots, his work has also explored mythology, still life, landscape and the nude. The son of novelist Meyer Levin, he has written art reviews and taught art history. He initiated two of Santa Fe’s enduring artist’s gatherings, a model drawing group that has met since 1969 and The Santa Fe Etching Club, established in 1980. Levin has Master’s degrees from Wisconsin University and St. John’s College. He continues to paint independently of the major art currents. He is also the author of Santa Fe Bohemia, The Art Colony, 1964–1980, Why I Hate Modern Art, and Disturbing Art Lessons, all from Sunstone Press.

Hardcover:
8 1/2 X 11 Illustrated, Color
ISBN: 978-1-63293-183-2
270 pp.,$60.00

Softcover:
8 1/2 X 11 Illustrated, Color
ISBN: 978-1-63293-182-5
270 pp.,$50.00

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“Odes & Offerings” was a unique collaboration between The City of Santa Fe Arts Commission Community Gallery, the City of Santa Fe Poet Laureate, Joan Logghe, and a host of talented local poets and artists. Conceived by Logghe in close consultation with The City of Santa Fe Arts Commission Community Gallery Manager, Rod Lambert, the original exhibit, which ran from March 23, 2012 to June 8, 2012, paired the work of local poets with visual artists. The results were more than just poetry-inspired artworks. Every piece became a true integration of poetry and form. With this rich, authentic cross-pollination at its core, “Odes & Offerings” became an event that brought the community of Santa Fe, New Mexico together around the spoken word and visual arts. This book serves as a lasting record of an inspired exhibit and the many outstanding individuals who made it possible.

Softcover:
8 1/2 x 8 1/2
ISBN: 978-0-86534-955-1
110 pp.,$24.95

"...recommended to cookbook connoisseurs as a unique collection for spicing up their standard meal menus." --LIBRARY BOOKWATCH

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Santa Fe, New Mexico--a wonderful art center--was much smaller in 1974 when the original edition of PALETTE IN THE KITCHEN was published, and most of the artists knew each other. This led to a lot of parties: parties after gallery openings, parties to plan exhibitions, and parties to plan parties. Looking back on all this--and the photographs from that time--conjures up cartoon mental images of cars careening around Santa Fe, and up and down the road to Taos; artist-filled cars, a bottle or two of wine, and huge casseroles of main dishes, and plates of desserts. Of course, there were the times when everyone showed up with a pasta dish, or everyone brought a dessert. But most of the time there was a wonderful array of creative cooking from their special recipes. And here they are again, to remind us of that wonderful time.

Now, sadly, too many of the artists who contributed to the original edition are gone; some at young ages and some at the end of long productive lives. The late Constance Counter who, along with Karl Tani, put together the first edition of PALETTE IN THE KITCHEN, loved a party, loved to cook, loved a good time, and a good story. Constance asked artists for their favorite recipes, and asked others for dishes they had invented. Some artists gave recipes discovered on their travels, and others contributed recipes from their heritage; and all the artists added their own inventiveness. This Celebration Edition is in memory of Constance Counter and the other artists in this book who are no longer with us. And it is in memory of a smaller, more village-like Santa Fe that is no more. Although times have changed, artists are still taking their creative skills to the kitchen--usually with wonderful, if not surprising, results.

Website: http://books.google.com/books?id=99JRsYSkfooC

Softcover:
8 1/2 X 11
ISBN: 978-0-86534-283-5
64 pp.,$12.95

Brilliantly Illustrated

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Buffalo Kaplinski’s roots were firmly established in Taos, New Mexico in the late 1960s. The same illustrious blue sky joining the earth tones of New Mexico’s sweeping landscape that proved irresistible to the Taos Society of Artists in the early 1900s tugged at Kaplinski. He abandoned a stagnant illustrator’s career path in Chicago and his palette of subdued urban colors, and burst into this still-sleepy community of struggling artists, rebozo-clad old Spanish women, Pueblo Indians, and tourists mostly passing through on their way to Santa Fe. He shared a Bohemian life style and painting forays deeper into the American Southwest with such other now well-recognized artists as Ned Jacob, George Carlson, and Len Chmiel. Although serious in their approach to art, comical episodes naturally erupted in their life and travels which are shared with the reader.

Kaplinski’s sense of place never allowed him to languish and be content to paint eloquent pictures of the Southwest which have always been sought after by his collectors. He discovered that the challenges of pristine scenes and architectural complexes made by man or found in nature throughout the world fostered new compositions, a constantly changing palette, and provided his collectors a cornucopia of images of intriguing places with an abundance of color. Such places and their people are seen through the eyes of the artist, whose sense of humor and often unconventional modes of travel lead inevitably to the unexpected.

If one were to ask what Kaplinski has added to American art, the answer is apparent from the scope of his work. He has taken his considerable skill to places that many have ignored and may discover too late. Our good fortune is what he was provided for us to enjoy today.

HARMON S. GRAVES is no stranger to contemporary and historical fine art and Native arts. He is the past president of the Douglas Society, a supporting arm of the Native Arts Department of the Denver Art Museum. He has authored articles in which he has addressed art and related legal issues, and contributed to R.G. Bowman’s book, Walking With Beauty, The Art and Life of Gerard Curtis Delano. As a practicing lawyer in Denver, Colorado, he has represented art galleries, dealers, artists, and others involved in the creative process. Recently he undertook the enforcement of rights held by a foreign producer to film illustrated manuscripts and other treasures of the Vatican Library. His sense of place approaches that of his longtime friend, Buffalo Kaplinski.

Hardcover:
8 1/2 X 11
ISBN: 978-0-86534-498-3
184 pp.,$65.00

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Here is a truly unique and exciting folk art that makes people want to call Aunt Mary in Des Moines and tell her how easy it is. You can almost learn it over the phone. Created and named by Mary Lou Cook, pastecraft is simple and fun for the "veriest" beginner, as the author says. Using paste, fabric and shellac to cover solid objects, PASTECRAFT is practical, creative and absolutely no-fail. It can transform throw-aways into something of beauty for gifts and home decorating. One can cover old trunks, suitcases, books, the refrigerator, frames, coffee tables, trays, file cabinets, and on and on and on. This book is a "must" for every home, classroom and therapist's office. It brings ideas, inspiration, self-esteem, and joy to the maker, and it even convinces the so-called "non-creative" person that he or she can truly do wonders with simple ingredients. And, included in this book is almost forty pages devoted to calligraphy, including instructions, ideas, quotes, and broadsides that can be reproduced for framing.

MARY LOU COOK, a.k.a. MLC, is a true Renaissance woman, a master teacher, author, calligrapher, nuclear waste activist, inspirational speaker, Bishop of the Cloth, peace advocate, philosopher, bookbinder, needlewoman, counselor, and designer. And, to top it off, she has been named a Santa Fe Living Treasure. MLC has received many national and international honors and awards, and is often featured in book and the media. She calls herself an octogeranium. A rare flower indeed!

Website: http://books.google.com/books?id=MrUAlcbUoqgC

Softcover:
8 1/2 X 11
ISBN: 978-0-86534-342-9
112 pp.,$18.95

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“Poems Without Words,” a book of prayers in painting form, express compassion, love, friendship, hope and peace that is so needed during this time in our world. The images come from Ellen Jacobs’ love of the natural world--its beauties, shapes, colors, textures and constant changes. Her desire is that they become prayers for peace for young children, young, middle and old adults of every nations, race, religion and color in the hope that we all may open our hearts to each other and our planet with the love, safe keeping and compassion these poems in painting represent.

Ellen Jacobs is an artist and occupational therapist. As an artist she works with water media, experimentally expressing her love of shape, texture, color and nature. As an occupation therapist, she has worked with children bringing imagination and creativity to their varied and many activities.

Softcover:
8 1/2 X 11
ISBN: 978-0-86534-468-6
64 pp.,$22.95

Order from Sunstone: (505) 988-4418

Do you like to go treasure hunting in obvious or out of the way places? Do you like to view fine art in galleries large and small? This book will give you directions to New Mexico’s amazing New Deal treasures and to buildings and bridges, murals and sculptures, paintings and people who made them. They are not necessarily in the most obvious places, and yet many are in places that one routinely visits. They have been patiently waiting in our cities, our villages, our parks, rarely witnessed as being “treasures.” They were constructed perhaps even by your own artistic ancestors. This book is full of clues. Go sleuthing!

Growing up in Portales, New Mexico, Kathryn Akers Flynn lived in an area with a New Deal courthouse, a New Deal post office, and New Deal schools. She worked at the local swimming pool and partied in the city park, both built during the Depression era. In high school she was a cheerleader on 1930s football fields for onlookers in Work Progress Administration bleachers and camped out at a nearby Civilian Conservation Corps created park and lake. She never knew any of these structures were fashioned by the New Deal, nor did she notice the New Deal treasures in Salt Lake City while at the University of Utah where she received her Bachelor’s Degree or the New Deal structures in Carbondale, Illinois where she earned her Master’s Degree at Southern Illinois University. Returning to New Mexico, she had a career in the state health and mental health administration that included directorship of Carrie Tingley Hospital, a New Deal facility with many public art treasures. It wasn’t until she became Deputy Secretary of State of New Mexico that she realized what was around her. As a result she went on to edit three editions of the New Mexico Blue Book featuring information about New Deal creations all over the state.

This book presents the history and whereabouts of many such treasures found since Flynn compiling an earlier book, Treasures on New Mexico Trails, and another that focuses on New Deal programs nationwide, The New Deal: A 75th Anniversary Celebration. She also assisted with the compilation of A More Abundant Life, New Deal Artists and Public Art in New Mexico by Jacqueline Hoefer, also from Sunstone Press and an apt companion for Public Art and Architecture in New Mexico. She was instrumental in creating the National New Deal Preservation Association, and now serves as Executive Director.

Sample Chapter
Website: http://books.google.com/books?id=--dj-dDBFKwC&printsec=frontcover&dq=Public+Art+and+Architecture+in+

Hardcover:
7 x 10
ISBN: 978-0-86534-881-3
374 pp.,$120.00 Collector's Edition

Softcover:
7 x 10
ISBN: 978-0-86534-882-0
374 pp.,$45.00

Preface by Frank Waters, Illustrations by Kris Hotvedt

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This collection represents a segment of the lives of the Navajo and Pueblo people of the American Southwest--two diverse groups who are an important part of American culture today. Each year thousands of visitors from all over the world attend their various ceremonial dances and events and many arrive with a knowledge and understanding of these happenings. For others, these are totally new experiences and a door is opened to unfamiliar ways of life, customs, traditions, and beliefs that have existed for hundreds and sometimes thousands of years, long before this country was called America. The "American-Indian Quarterly" said that "this text promotes the same kind of browsing magazines invite. Come to these gatherings and stroll, it seems to imply on page after page; at you leisure learn to appreciate how feasting and singing merge with dancing and storytelling."

Website: http://books.google.com/books?id=NXcBl4-PukIC

Softcover:
5 1/2 x 8 1/2
ISBN: 978-0-86534-204-0
64 pp.,$8.95

eBook:
ISBN: 978-1-61139-295-1
64 pp.,$2.99

Order from Sunstone: (800) 243-5644

Tag along with Rosita the Roadrunner on her journey to learn about the Land of Enchantment. On the trail, meet Roja & Verde (the Chile Twins), Biscochita (a Smart Cookie), Piñon Jay, Dusty the Tumbleweed, and a town full of prairie dogs who love to read.

READiscover New Mexico, a recent theme for the Statewide Summer Reading Program sponsored by the New Mexico State Library, encourages the discovery of the vast cultural, natural, historical, and literary treasures found in our beautiful state. Children, adults and families experience some of these for the very first time by visiting Rosita's ultimate source for information: the library. Featured is a literal example of "poetic license," with an introduction by "Tag" the license plate.

Join the fun! Children will love coloring the cast of characters and sharing the adventure with their families. Among many classroom uses, teachers can present the fun story as a bi- or tri-lingual playlet. Enrichment material includes a compilation of the programs, activities, crafts, song parodies, celebrations, and bibliographies devised by the children’s librarians who brought READiscover New Mexico to life in public libraries throughout the state. Also featured are riddles, New Mexico trivia, relevant websites, an extensive booklist, several recipes for Biscochitos, instructions for making Star-O-Litos, and a large collection of reproducible artwork.

Rosita's Ramble is presented in English, Spanish, and Navajo.

Welcome! ¡Bienvenidos! Yá'át'ééh!

Author KATHY BARCO was Youth Services Coordinator at the New Mexico State Library from 2001-2006. Currently a children’s librarian with the Albuquerque/Bernalillo County Public Library, she received the 2006 Leadership Award from the New Mexico Library Association. She is co-author (with Valerie Nye) of Breakfast Santa Fe Style – A Dining Guide to Fancy, Funky and Family Friendly Restaurants. Designer/Illustrator MIKE JAYNES, a Seattle-based graphic artist, has designed and illustrated six summer reading programs for the New Mexico State Library. Both Kathy and Mike grew up in Los Alamos, New Mexico.

Royalties from the sale of this publication will go to the New Mexico State Library Fund at the New Mexico Community Foundation.

Website: http://www.kathybarco.com
Website: http://books.google.com/books?id=1Ldx4IzOKUkC

Softcover:
8 1/4 X 11
ISBN: 978-0-86534-544-7
188 pp.,$24.95

Color and black & white photographs, illustrations, bibliography and index

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The murals of the Saint Francis Auditorium of the Museum of Fine Arts, Santa Fe, New Mexico were dedicated in 1918 when the Museum of Fine Arts was the subject of great festivities held for the grand opening of the building, financed by private capital and State money. The murals themselves are in excellent condition and effectively grace the handsome auditorium. Their meaning is not obvious; in only three of them does Saint Francis appear. One inevitably wonders why the other subjects were selected; who made the decisions as to the subjects; who gave the commission and when; what artists did what for which pictures? What was the impact of the unexpected death of the principal artist before the murals were completed? These questions, but above all the meaning of the cycle of pictures, instigated the author’s research and are responsible for clarifying Santa Fe’s heritage of these extraordinary pictures.

Carl Sheppard taught at the University of Michigan, UCLA, and the University of Minnesota where he was also Chair of the Department. In New Mexico he concentrated on the period of the first two decades of the twentieth century. The University of New Mexico Press published his book “Creator of the Santa Fe Style: Isaac Hamilton Rapp, Architect.” The volume won the Gaspar Perez de Villagra Award for an outstanding publication in 1988. Previously Dr. Sheppard published primarily in the early Medieval field as well as occasionally on subjects of modern art.

Website: http://books.google.com/books?id=CSbhAAAACAAJ&dq=0865341370&hl=en&sa=X&ei=QwbIT5LlE6Oh2QWi1pTEDQ&ved

Softcover:
6 x 9
ISBN: 978-0-86534-137-1
96 pp.,$16.95

eBook:
ISBN: 978-1-61139-920-2
96 pp.,$9.99

Many Illustrations. Index.

By the early 1970s, an active bohemian colony had developed in Santa Fe and it became a cultural boom town. The number of art galleries went from two to a hundred. Besides the Santa Fe Opera, there came into being endless festivals: for art, music, literature, theater, movies, fashion, and the crafts of Indians and Spanish Americans. The city’s complex heritage of three interlocked cultures became “Santa Fe Style.”

But the fifteen years between 1964 and 1980 held a special magic. And Eli Levin experienced it all: the fading generation of older artists and the newly arriving younger generation; wild night life at Claude’s Bar; artist’s battles with conservative arts organizations; questionable successes and tragic failure of careers; exemplary examples of lifetime dedication; and a number of suppressed scandals, one even involving possible murders.

Packed with amusing anecdotes about the various artists with whom Levin painted, plotted and partied, this vivid memoir testifies to the exciting rebirth and burgeoning growth of one of this country’s most well known art colonies.

ELI LEVIN, the son of novelist Meyer Levin, is known for his paintings of Santa Fe night life. He has run art galleries, written art reviews and taught art history. He hosts two artist’s gatherings, a drawing group since 1969 and the Santa Fe Etching Club since 1980. Levin studied painting with Raphael Soyer, George Grosz and Robert Beverly Hale, among others, and has Master’s degrees from Wisconsin University and St. John’s College.

Sample Chapter
Website: http://books.google.com/books?id=VqE1lK6miLkC

Hardcover:
6 x 9
ISBN: 978-0-86534-512-6
320 pp.,$38.95

Softcover:
6 x 9
ISBN: 978-0-86534-513-3
320 pp.,$24.95

eBook:
ISBN: 978-1-61139-426-9
320 pp.,$4.99

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This series of line drawings by legendary Santera (saint-maker) Marie Romero Cash, depict many of the popular saints painted by the santeros of the eighteenth and nineteenth centuries in Northern New Mexico. “The saints have always been an integral part of the culture,” Marie says, “so much so that in the eighteenth and nineteenth centuries in New Mexico the art of the religious folk art of the santero became a part of its history. In creating this coloring book, my goal was to not only impart knowledge about the santero culture, but to provide images that could be colored in by children or adults, and could also be used for many other purposes, including embroidery or various decorative arts.”

Each full-page image is suitable for coloring by children at playtime or in a classroom setting. Easy to read information on many popular patron saints is included, as is the feast day of each saint. Teachers will find this coloring book a valuable teaching tool.

There is also an author preface and an article about Marie Romero Cash by well-known journalist, Kay Lockridge.

Born in Santa Fe, Marie Romero Cash has been a Santera (saint-maker) for over thirty years. Her award-winning works are in major museums and private collections throughout the United States, Mexico, Africa and The Vatican. She has written several books and magazine articles on the culture and religion of Northern New Mexico and has lectured widely on the subject for the New Mexico Endowment for the Humanities.

Sample Chapter
Website: http://books.google.com/books?id=QbnUmkKpU8AC

Softcover:
8 1/4 x 11
ISBN: 978-0-86534-701-4
80 pp.,$10.95

See "Preface to this Edition" below.

In April of 1912, twenty-one-year old Austrian artist Egon Schiele (1890–1918), known for his frank depictions of erotica as well as his Expressionist portraits, was arrested and imprisoned in a basement cell in the rural town of Neulengbach, some twenty miles from Vienna. There he made agonized diary entries and created twelve drawings of his dank surroundings. Half a century later, in August of 1963, as an enterprising PhD student from Texas in search of all sites and persons having to do with Schiele, the author of this book did what no previous scholar had yet done. She located and photographed the forgotten cellar and cell in which Schiele had been unjustly incarcerated. This book presents an English translation of the artist’s extraordinary prison diary, a biographical chronology, and two essays, one concerning Schiele’s cultural context, and the other, an enlightening analysis of the pungent artworks created in prison.

Distinguished Professor of Art History Emerita at Southern Methodist University in Dallas, Texas, Alessandra Comini was awarded Austria’s Grand Medal of Honor for her books on Viennese artists Egon Schiele and Gustav Klimt. Her Egon Schiele’s Portraits was nominated for the National Book Award and her The Changing Image of Beethoven, a pioneer study in reception history, is used in classrooms around the country. Both books in new editions are now available from Sunstone Press as well as Egon Schiele, Gustav Klimt, and The Fantastic Art of Vienna. Comini’s travels, recorded in her memoir, In Passionate Pursuit, also from Sunstone Press, extend from Europe to Antarctica and are reflected in her Megan Crespi Mystery Series: The Munch Murders, Killing for Klimt, The Schiele Slaughters, The Kokoschka Capers, The Kollwitz Calamities, and The Kandinsky Conundrum, all published by Sunstone Press.

Website: http://www.alessandracomini.com
Email: acomini@smu.edu

Hardcover:
8 1/2 X 11, Illustrated
ISBN: 978-1-63293-447-5
116 pp.,$42.95

Softcover:
8 1/2 X 11, Illustrated
ISBN: 978-1-63293-164-1
116 pp.,$24.95

“Like her paintings, Lorraine Schechter's poems both enact and celebrate vision. Her eye is never satisfied with surfaces, but continually explores those charged places where inner and outer worlds touch, mingle, collide. This book gives heart precisely because it takes in so much, affirming the poet's--and our--struggle for more bountiful life.” --Jay Udall, Poet/Teacher

Order from Sunstone: (800) 243-5644
Lorraine Schechter’s poems, like the seasons, come in cycles. In the twenty plus years she’s been writing poetry, she has enjoyed fertile periods filled with words, interspersed with the language of paint, and more recently, the cello. Like the seasons of her beloved New Mexico, her poems offer a rich range of color, mood, and texture. “This collection of poems comes from a six-year period when the need to write was as urgent as the need for water or food,” she says. “I wrote almost daily, much of the time in my journal, but also in the language of rhythm and image joined with the pleasure in word and sound that said ‘poem.’ The themes are those of a woman at mid-life and reveal my passions: art and nature, family and friends, meditation and yoga.”

Inspired by her close connection to the earth, immersed in her work in the studio, and committed to her meditation/yoga practice, Lorraine Schechter is a woman who says YES to life.

Lorraine Schechter received an MFA from the University of Pennsylvania Graduate School of Fine Arts. She lived in the south of France and the hills of northwestern Connecticut before settling in Santa Fe in 1988. Her mixed media paintings, prints, and constructions are in museum, corporate and private collections throughout the United States. The Museum of Modern Art was the original publisher of her innovative collection of paper sculpture card designs. Her poems have appeared in literary and on-line poetry reviews including the Santa Fe Poetry Broadside, Borderlands: The Texas Poetry Review, Clackamas Literary Review, and numerous poetry anthologies. She is a winner of the Recursos/Southwest Writers Discovery Contest. An arts educator for more than thirty-five years, she recently stepped down as Arts Education Coordinator for the Santa Fe Arts Commission where she developed and directed ArtWorks, a progressive program providing arts education to more than 5,000 Santa Fe elementary school children. She continues to teach and consult in arts education and program development.

Website: http://books.google.com/books?id=wKobRHd8mbEC

Softcover:
8 1/2 x 8 1/2
ISBN: 978-0-86534-602-4
96 pp.,$29.95

“Like her paintings, Lorraine Schechter's poems both enact and celebrate vision. Her eye is never satisfied with surfaces, but continually explores those charged places where inner and outer worlds touch, mingle, collide. This book gives heart precisely because it takes in so much, affirming the poet's--and our--struggle for more bountiful life.” --Jay Udall, Poet/Teacher

Order from Sunstone: (800) 243-5644
Lorraine Schechter’s poems, like the seasons, come in cycles. In the twenty plus years she’s been writing poetry, she has enjoyed fertile periods filled with words, interspersed with the language of paint, and more recently, the cello. Like the seasons of her beloved New Mexico, her poems offer a rich range of color, mood, and texture. “This collection of poems comes from a six-year period when the need to write was as urgent as the need for water or food,” she says. “I wrote almost daily, much of the time in my journal, but also in the language of rhythm and image joined with the pleasure in word and sound that said ‘poem.’ The themes are those of a woman at mid-life and reveal my passions: art and nature, family and friends, meditation and yoga.”

Inspired by her close connection to the earth, immersed in her work in the studio, and committed to her meditation/yoga practice, Lorraine Schechter is a woman who says YES to life.

Lorraine Schechter received an MFA from the University of Pennsylvania Graduate School of Fine Arts. She lived in the south of France and the hills of northwestern Connecticut before settling in Santa Fe in 1988. Her mixed media paintings, prints, and constructions are in museum, corporate and private collections throughout the United States. The Museum of Modern Art was the original publisher of her innovative collection of paper sculpture card designs. Her poems have appeared in literary and on-line poetry reviews including the Santa Fe Poetry Broadside, Borderlands: The Texas Poetry Review, Clackamas Literary Review, and numerous poetry anthologies. She is a winner of the Recursos/Southwest Writers Discovery Contest. An arts educator for more than thirty-five years, she recently stepped down as Arts Education Coordinator for the Santa Fe Arts Commission where she developed and directed ArtWorks, a progressive program providing arts education to more than 5,000 Santa Fe elementary school children. She continues to teach and consult in arts education and program development.

Website: http://books.google.com/books?id=WtBzpLXHH4IC

Softcover:
6 X 9
ISBN: 978-0-86534-607-9
96 pp.,$16.95

In 1920, my mother and my aunt, who were just thirteen and fourteen years old, went on an all-summer odyssey with a group of artists, led by their art teacher, renowned Texas artist Frank Reaugh, traveling in a vehicle called the “Cicada,” from Dallas, Texas, to the Grand Canyon, which had been designated a National Park in November 1919. My aunt’s lively diary of the trip is the basis for my account, which has been expanded into a longer narrative. The title Seeing the Elephant was chosen because the travelers’ experiences fit the old story of “seeing the elephant.” They had car engine problems, had flat tires, got stuck in mud, ran out of money, and were visited by tarantulas—but none of it mattered because of the thrilling wonders of the trip, the breathtaking scenery and the opportunity to try to capture it on paper. Toward the end of my writing process on this manuscript, I reflected on the two-month odyssey of the Cicada in 1920 and realized that it was a metaphor for life itself—the joys, challenges, sorrows, and people met along the journey—embraced by an overriding beauty. The story is told in first person, from my aunt’s point of view.

Virginia Howard has a BA and an MA in English from the University of Alabama. For many years she worked as a medical editor in the Office of Publications at Louisiana State University School of Medicine. She now works part-time from her home office for the LSU Medical Alumni Association in New Orleans, where she designs and edits the alumni magazine (LSU Medicinews) for publication and also does computer graphics, including holiday greeting cards. She is founder and editor of THEMA literary journal, now in its 32nd year of publication, and is a member of the Society of Children’s Book Writers and Illustrators. She has illustrated one picture book, Timothy Hubble and the King Cake Party, by Anita Prieto, and written another, The Wind Plays Tricks, illustrated by Charlene Chua. Under the pseudonym H. O. Ward, she and her sister-in-law co-authored two murder mysteries, Death by Unches and Death by the Reel. She also has published short stories as well as essays in various books and magazines.

Softcover:
6 x 9
ISBN: 978-1-63293-322-5
390 pp.,$24.95

eBook:
ISBN: 978-1-61139-620-1
390 pp.,$5.99

"It would be a mistake to assume that these stories should be read only in December, for their message transcends the seasons." They..."touch the human and divine in all of us." SOUTHWEST BOOKVIEWS

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Collected for the first time, these prize-winning Christmas tales (carols) of Drew Bacigalupa range in time and place from mid-20th century to the new millennium, from remote mountain villages in New Mexico to the sophisticated neighborhoods of Rome, from children in country fields or on city streets to young soldiers at combat areas, to parents and grandparents at home or abroad. Whether in the United States, Mexico, England, France or Italy, the diverse peoples of these brief but luminous stories share the joy--and sometimes apprehension--we’ve all known as winter solstice heralds the approach of Christmas. Uniting all is the theme of renewal, the promise of longer days and return of the sun, and our uniquely individual gifts which brighten The Child in each of us.

The illustrations are from original works by Bacigalupa--his paintings, drawings, ceramics and sculptures, testament to the artist/writer’s work in many media, his conviction that all the arts are essentially communication. Heavily influenced by Renaissance Man following graduate studies at L’Accademia di Belli Arti in Florence, he frequently refers to the journals and poems of sculptor/painter Michelangelo and the notebooks and dissertations of painter/sculptor/inventor Leonardo as examples of men who employed whatever medium was best suited to communicate differing concepts demanding expression.

Though a resident of Santa Fe since 1954 and one who loves the American Southwest, Drew Bacigalupa is an inveterate traveler whose works have doggedly resisted regionalism. His published books include the World War II novel And Come to Dust, set in Belgium and Germany; Since My Last Confession, a spiritual journey and love story which follows the protagonist throughout the U.S. and across Europe; Journal of an Itinerant Artist, essays which roam the globe and embrace peoples of ethnic diversity. His stories, features and articles have appeared in numerous national newspapers and periodicals in this country and--in translation--in Italy. He first gained encouragement as a writer at the age of ten by winning a prize with an adventure story submitted to a writing contest in his hometown’s newspaper The Baltimore Sun.

Secure Movie & TV Rights
Website: http://books.google.com/books?id=BX6RHgevvegC

Softcover:
6 X 9
ISBN: 978-0-86534-368-9
108 pp.,$16.95

eBook:
ISBN: 978-1-61139-134-2
108 pp.,$9.99

The beautiful and skillfully drawn pen and ink illustrations in this volume are travel sketches by the New Mexico architect Terrance J. Brown, FAIA—recognized internationally for his contributions toward promoting cultural sensitivity in his architectural designs for native American communities. The drawings in this volume were sketched during his travels over the past fifty years. They include many drawings of New Mexico and also meticulous drawings of Mayan ruins, emotive illustrations from his Vietnam war journals and classic European sites sketched as a college student traveling in Europe. His eye for detail, for capturing the essence of scenes and settings, and for expressing the qualities of both the man-made tableaus and nature, is remarkable. We believe readers will be inspired by the way he interprets his world with simple ink lines and be encouraged to try their own hand at drawing everyday sights around them.

Terry is more than an architect and artist; he is a humanitarian whose career as an architect has provided creative architectural designs that have positively benefited the lives of thousands of Native Americans across the state of New Mexico and the western hemisphere. The first eight years of his career focused on improving the quality of life, education and the built environment for the rural poor in Central and South America. He is a co-founder of two rural Spanish schools and training centers in Guatemala that funded work in Maya linguistics that were instrumental in helping Maya Indians to develop an alphabet and dictionary in their native languages. Terry specializes in designing health care and educational projects for Native American communities. His work includes award winning Taos-Picuris Pueblos Health Center, Tohatchi Health Center and the Institute of American Indian Arts Museum in Santa Fe. He is a Fellow of the American Institute of Architects (AIA) and the recipient of the AIA Edward C. Kemper Award and the Whitney Young Jr. Medal, AIA’s highest award for demonstrating what a single architect can do to make the global community a better place to live.

Hardcover:
8 1/2 X 11 Illustrated, Color
ISBN: 978-1-63293-203-7
190 pp.,$45.00

Softcover:
8 1/2 X 11 Illustrated, Color
ISBN: 978-1-63293-204-4
190 pp.,$35.00

See "PRAISE FOR THIS BOOK" below.

Order from Sunstone Press: (800) 243-5644

This book has a threefold purpose: to build cultural appreciation, to present workable art projects and to utilize inexpensive and indigenous materials of the American Southwest. This is an instructor’s guide and in all ways should assist in making interesting, educational and fun projects for students of the elementary level. The authors know their business and have carefully calculated each lesson--making sure that the procedures are directed toward a satisfactory goal. Their methods have been put to the test and the results are self-evident as one reads the basic and well-planned instructions.

Nancy Krenz has a Masters Degree in art education from the University of New Mexico and was an elementary school teacher for seven years. Her interest in Art and culture was enhanced by teaching “art in the bush” to teachers for two summers in Sierra Leone, West Africa, with the International Teach Corps in 1965 and 1966.

Patricia Byrnes is a native New Mexican and has a B.S. Degree from the University of New Mexico. As the mother of five children she finds herself active in scouting, church and youth activities. Her interest in arts and crafts stems from a need to provide an outlet for her children and she also found it good therapy for her one handicapped child.

Website: http://books.google.com/books?id=PEBFkbXUB40C

Softcover:
8 1.2 x 11
ISBN: 978-0-91327-062-2
145 pp.,$16.95

eBook:
ISBN: 978-1-61139-862-5
145 pp.,$7.99

Patterns and Detailed Instructions, Bibliography

Order from Sunstone: (505) 988-4418

Needle workers of the world unite! Southwestern Designs is the ultimate pattern book showcasing images and ready-to-use designs unique to the American Southwest. From ancient Indian representations to modern Mexican and New Mexican iconography, this book is a welcomed companion to the novice as well as the expert needle pincher. Want to add a Kachina doll to that rhinestone jacket you purchased in the bland arid territory of Texas? Care to superimpose an authentic buffalo dancer to that plain blue denim shirt? Then Southwestern Designs is what you’re looking for. Here is your chance to adopt Navajo Indian petroglyph renderings and paste them on your family’s clothes or your own personal wardrobe. Be creative, be inventive, become artistic and let your imagination run wild and free with this user-friendly guide. Whether you are doing appliqué, embroidery, painting or woodworking, these designs will give you the inspiration and help that results in a happy ending for your endless hours of work!

Website: http://books.google.com/books?id=6kGLPQAACAAJ&dq=9780865340473

Softcover:
8 1/2 x 11
ISBN: 978-0-86534-047-3
32 pp.,$5.95

eBook:
ISBN: 978-1-61139-912-7
32 pp.,$4.99

A record of the 186 artists who participated in the 2010 Traditional Spanish Market of Santa Fe.

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Thousands of artists have exhibited and sold their work at the Traditional Spanish Market of Santa Fe, New Mexico in the sixty years it has been in existence. This book is a record of the 186 artists who participated in the 2010 Market. They stand as testament to all who have been there before.

Donna Pedace has been the National Director of OASIS (Older Adult Service and Information System, Inc.), based in St. Louis, Missouri, and the Executive Director of the Eugene O’Neill Theater Center in Waterford, Connecticut. Before joining the Spanish Colonial Arts Society, sponsor of the Traditional Spanish Market of Santa Fe, she was the Executive Director of the New Mexico Multicultural Center.

Sample Chapter
Website: http://books.google.com/books?id=JP4-46dRYxoC&printsec=frontcover&dq=9780865348219&hl=en&ei=bifQTvfV

Softcover:
8 1/2 x 8 1/2
ISBN: 978-0-86534-821-9
112 pp.,$35.00

Lavishly illustrated in color by the author.

The author says, “There are still places to see and get inspiration. I have been close to nature and its wonders all of my breathing days. But I have always tried to do my work with places that don’t really exist. For me it is wonderful to create a fantasy in whatever medium I am working in. It is very difficult at times to make sure the mind is turned off. On some works I have to turn it back on for details to ensure that the concept leaves nothing to the imagination. My poetry, prose, short stories, sketches and odes are an exception to this self-made rule. To all the wonderful people in this world, I say come travel with me. The gentle works in this book are my view from the moon for you to enjoy.”

Multi-gifted artist, architect, and writer Ted C. Luna was born in Santa Fe, New Mexico. He learned fine carpentry, remodeling and building additions from his father and took an interest in drafting from an early age. Luna graduated with a Fine Arts Degree in 1965 from the University of New Mexico and a degree in Architecture in 1966. Later he worked with Antoine Predock for four years, and practiced in Santa Fe. He established several firms and for a three year period, he partnered with Alfred Ross. In the late 1980s, he spent about six years in cities such as Phoenix and Scottsdale, Arizona and La Jolla and San Diego, California, working on large multi-story casino projects. Architectural historian Bainbridge Bunting strongly influenced Luna’s interest in architectural history, and his affinity for the regional vernacular of New Mexico architecture is reflected in his professional styles. However, he often deviated from strict traditional design, maintaining a modern approach, even toward the Spanish Pueblo Revival Style of New Mexico. Ted Luna was the architect for the award winning Vietnam Veteran’s National Memorial, located in Angel Fire, New Mexico.

Hardcover:
11 x 8.5 Landscape
ISBN: 978-1-63293-263-1
118 pp.,$50.00

Spanish/English text with photographs about the centuries-old craft of creating these carved religious figures known as Santos which are found throughout the American Southwest.

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The folk-art of the New Mexican Santero (maker of saint images) arose out of the need for religious images in the settlements. Usually a member of the settlement, the Santero was in most instances a self-taught craftsman. Utilizing crude tools at his disposal, he fashioned representations of the saints dear to the inhabitants from wood and jaspe (gypsum) known today as New Mexican Santos. Two craftsmen, Jose Dolores Lopez and George Lopez, are widely recognized for their carvings. For seven generations the Lopez families of Cordova, New Mexico have been ‘santeros.’ Countless articles have been written about them but this book is written by one of the family. Eluid Levi Martinez tells the inside story of the beginning of this fascinating art in both English and Spanish. Illustrated with photographs.

Eluid Levi Martinez was born in the mountain village of Cordova, New Mexico. A self-taught artist, his work is in the permanent collections of the National Museum of American History, the National Museum of American Art, the Museum of American Folk Art, the Denver Art Museum and others. He began carving Santos during 1971 with the goal of perpetuating not only his heritage, but also an art form indigenous to the New Mexico area.

Website: http://books.google.com/books?id=dMRhqUEQ0FcC

Softcover:
5 1/2 x 8 1/2
ISBN: 978-0-91327-076-9
48 pp.,$14.95

eBook:
ISBN: 978-1-61139-877-9
48 pp.,$4.99

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For over 100 years Modern Art has received almost universal praise. The author Eli Levin takes exception to this received wisdom. Mr. Levin is of the opinion that fine art has been in accelerating decline for a century and a half. He follows the changes in style from Courbet to Warhol, analyzing the works of well-known artists and pointing to a loss of technical ability, visualization and human concern. The author discerns a pattern in which each avant-garde movement rejects the previous one, with a relentless narrowing of options.

Eli Levin is one of New Mexico’s best-known living, working artists. Starting his career in Santa Fe in 1964, he became recognized for his paintings of local night life. While returning often to his Social Realist roots, his work has also explored mythology, still life, landscape and the nude. The son of novelist Meyer Levin, he has written art reviews and taught art history. He hosts two artist’s gatherings, a model drawing group since 1969 and The Santa Fe Etching Club since 1980. Levin studied painting with Raphael Soyer, George Grosz and Robert Beverley Hale among others, and has Master’s degrees from Wisconsin University and St. John’s College. He continues to paint independently of the major art currents. He is also the author of Santa Fe Bohemia, The Art Colony, 1964–1980, and Disturbing Art Lessons, both from Sunstone Press.

Softcover:
6 x 9
ISBN: 978-0-86534-967-4
50 pp.,$16.95

eBook:
ISBN: 978-1-61139-414-6
50 pp.,$4.99

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Outsiders seldom understand the curious amalgam of artists, galleries, misfits and hangers-on known as the Santa Fe Art Scene. Douglas Atwill, a painter living and working in its midst for many years, writes stories with an insider’s eye, tales of facing the easel every day, as well as those of dealing with the commercial demands from collectors, galleries and their crabby owners. In this collection of stories, we witness a group of Santa Fe painters confronting their art and life in creative ways, solving the ages-old problems of painting the perfect canvas, making that obstinate muse smile.

Julia Brownell is a patrician beauty whose exhibition of gold-leafed paintings sells out on its opening night and creates an envious discord among her peers. As Parsley Tiddle approaches the end of his creative life, he will not give up his randy ways, to the delight of his younger friends and the wrath of his socialite sister. The narrator of the title story jeopardizes his friendship with Donald Strether, a painter of small abstractions and a devoted rascal, by his disclosures to the guests at a summer luncheon party in the foothills. Robert Fenwick, a New Mexico plein air painter of note, discovers that a commission for landscapes of the Barbados cane fields is a more upside-down proposition than he bargained for.

There is a keen sense of irony and suitable punishment for the crime in Atwill’s stories, light-hearted views of the obstacles and the ever-present challenges to making a living from art. Several of the stories are concerned with goings-on in the studio of Alabaster Prynne, a wellborn, Philadelphia spinster, now in spattered coveralls, who befriends artists fresh from school and offers them her encouragement and cautions. The sprawling compound of adobe studios called Casa Marchment is the setting for a tale of earnest, untried artists as they find out that all is not what it appears in the estate of Victor Marchment, a brilliant landscape painter from the early years. Each story contains the secret to a Santa Fe painter, facing craft and life, and how he or she confounds the conventional view of what it is to be an artist.

DOUGLAS ATWILL was born in Pasadena, California, earned a BA from the University of Texas at Austin and he served in the Army Counterintelligence Corps. After a long sojourn on a Piedmont cattle farm in Virginia and on the move throughout Europe, he settled in Santa Fe to pursue painting full-time. From a studio on Canyon Road, he paints landscapes and paintings of his own gardens. His work is shown in galleries throughout the West. Atwill’s avocation of restoring adobe houses and building them anew has earned him a reputation for excellence in taste and design, and his houses have been featured in many magazines and books. This is his first collection of short stories.

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Website: http://www.dougatwillstudio.com
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Email: dougatwill@aol.com

Hardcover:
6 x 9
ISBN: 978-0-86534-426-6
244 pp.,$$28.95

eBook:
ISBN: 978-1-61139-004-9
244 pp.,$4.99

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In graphic art, photography, poetry and prose, a young artist reveals his talent and his torment, his wise-beyond-his-years insights on society, his questioning of his own purpose, and his craving for love. These collected works of Van Dorn Hooker, III (“Chip” to his family) date from about 1972 up to October 1976, when he was killed in a highway accident at the age of twenty-two. The book, published at the behest of Van Dorn Hooker, Jr., also includes remembrances of his son.

Holly Hurwitz writes: “Experiencing and creating art seemed to provide Van with ... a vehicle to search for truth and meaning, and even beauty, in a world full of superficiality, pain, and suffering. He was as exquisitely sensitive to that pain as he was truly sustained by the deep emotional connections with those he loved, by the beauty in the natural world, and by the transcendent power of art.”

Indeed, the art of Van Dorn Hooker, III has transcended the decades to inspire the book’s editor Zelda Gatuskin. From her Editor’s Note: “Even Van’s casual jottings are full of perceptive wit and high graphic style. Kooky characters and sharp social commentary populate his class notes, journals, letters, and sketchbooks. The more formal works are beautifully designed and executed, demonstrating his dedication to craft. Although Van’s life was tragically cut short, I could not approach this collection as something unfinished or only for memorial purpose. Here is art doing what art does: making us laugh, cry, question, love, and look at ourselves, the world and our fellow humans more perceptively.”

Whether you are a lover of art and poetry, a dabbler in the arts, or someone who truly lives for art, this collection will move and inspire.

Softcover:
8 1/2 x 8 1/2
ISBN: 978-1-63293-031-6
132 pp.,$24.95

1930s Sketch Trip Diaries of Lucretia Donnell with over a hundred color reproductions of her paintings and sketches under the direction of Frank Reaugh.

Talent, long study, and much hard work produce great art, ordinarily the work of a single person. On the other hand, elements of greatness sometimes find each other, meld, and produce beauty greater than the sum of the parts. So it is with Winged Clouds and Cobalt Skies. Three artists, Frank Reaugh, Lucretia Donnell, and her mother Lucretia, united their talents to do what all great art does: enrich the culture and the lives of others. From 1889 until 1941 Frank Reaugh routinely sketch-tripped the vast and then wild land in the High Plains of Texas and occasionally beyond. In 1905 he began taking his students along for on-the-scene instruction, each being assigned a work detail to keep the party disciplined and moving smoothly, including the keeping of a trip log. On these sketch trips in the 1930s, the teenaged Lucretia Donnell, among other duties, kept the log with apparent thoroughness (at least enough to satisfy Frank Reaugh) but more importantly for us, with perceptivity and all the exuberance of youth, none of which she lost in the intervening years. Little did anyone know in the 1930s that she was writing a book for the ages.

Hardcover:
11 x 8.5
ISBN: 978-1-63293-305-8
200 pp.,$75.00

Softcover:
11 x 8.5
ISBN: 978-1-63293-286-0
200 pp.,$60.00

Full Color

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I am often asked “Why the Thirties?” Why? Partly because I think that was a very special time in the United States and partly because it was my time of growing up. It was a time of new inventions, new technology and freedom to explore and open up new territories in art, literature and music. There was also a feeling of neighborliness and mutual respect. I have tried to capture on canvas some of the places and activities of those times. I hope you agree.

MARCIA MUTH was born in Fort Wayne, Indiana in 1919 and moved to Santa Fe, New Mexico in 1966. She has been painting since 1974. Her work is in private and public collections including The Jewish Museum (New York), The Museum of Fine Arts (Santa Fe), The Albuquerque Museum and The Art Museum of Southwest Texas (Beaumont). This is her twelfth book but the first one on her paintings.

Sample Chapter
Website: http://books.google.com/books?id=KNzrb5d7DxgC

Softcover:
8.5 X 11
ISBN: 978-0-86534-526-3
90 pp.,$28.95 Full Color